Richard Colburn and Xuanqian Wang of AURALiC with Australian distributor George Poutakidis at Munich High End 2014 When everything comes down the pipe at 16bit/44.1kHz, what’s the point in paying for a CD or download? The sound quality shortfall zero-d, you’re now paying $15 per release simply to own it. It’s impressive because it blurs the line between streaming-to-taste and downloading-to-own. Lossless streaming from a library of ~25m songs for $20/month. In reviewing the AURALiC Aries this week I’ve had my first taste of WiMP Hifi. Still, the separation remains: Spotify for casual listening, lossless downloads and CDs for the serious, gotta-own stuff. Buy only what you like – the risk of wasting money on a dud is all but erased. Sample the goods before you drop your cash. It begs the question: does anyone really torrent lossy-encoded music any more?įor those that care about CD-quality listening Spotify serves as the ultimate tasting platter.
#TORRENT AUDIRVANA PLUS 2.0 DOWNLOAD#
Occasionally, the keener ones will yoink the odd download from the Hype Machine until said release lands elsewhere but for them it’s a streaming world. I bet most of your non-audiophile friends listen to music via Spotify or YouTube? I know many of mine do.
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Why pay for a download from the iTunes store when you can stream the exact same thing over on Spotify for nothing? Adverts can only be of minor inconvenience to those listeners who refuse to stump up the $10/month to get rid of them. It’s doled out free of charge because MP3 and AAC encodes now hold next to no intrinsic value. And I’m not just talking about the music itself. Nothing screams ‘dead-on-arrival’ more than Apple’s decision this week to foist a lossy version of U2’s new album onto EVERY iTunes user.